THE whole world remembers what Neil Armstrong said about small steps and giant leaps as he climbed down that ladder to the moon in 1969. Fewer Earthlings could now quote the words spoken by lesser-known astronaut Eugene Cernan when he stepped lightly off the lunar surface three years later. “America’s challenge of today has forged man’s destiny of tomorrow,” said Cernan, the commander of Apollo 17. “We leave as we came, and, God willing, as we shall return … ”
ON a freezing evening in March 2012, a sombre party of architects, planners, and local organisers met for dinner in the small Japanese port town of Ogatsu. Properly speaking, the town did not really exist any more, having been annihilated by the tsunami that struck the north-east coast of Japan’s main island, Honshu, almost exactly one year earlier.
THE same sun that rose in the Far East this morning is now setting on the hills above the Scottish Highland village of Tomatin. It glints along the blade of Jock Brocas’s sword and casts his shadow on a gold and purple landscape. In this light, Brocas looks as much like a mythic Japanese warrior as he ever will.
To win the Pritzker Prize for architecture is like winning a Nobel Prize for literature, they say. The chosen laureate ascends into the pantheon of their art, and critics of that art take to second-guessing the jury’s decision. Two years ago, when the relatively young and little-known Wang Shu became the first Chinese national to receive the Pritzker, his selection was widely read as a political statement, though the meaning of that statement was open to question.
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AN ex-banker named Guillermo Benitez swings a sawed-off hockey stick in each fist, bringing both of them down on an old computer keyboard like a furious gorilla locked inside a school supply cupboard. His girlfriend Lorena Dominguez is more methodical, lining up empty wine and beer bottles on a metal rack to smash them one by one with an axe handle. The Ramones are playing loud and dumb over the in-house PA system. Through the bunker-like slit of the observation window, it looks and sounds as if these two are having a wonderful time, and this is the entire point of The Break Club.
CHRISTMAS in Uruguay marks the start of the high season. Perhaps this sounds like a giddy little pun on the fact that marijuana is now legal here, but that would not be in the proper spirit. Arriving in Montevideo just as this landmark legislation is being rubber-stamped by the Senate, I quickly learn that foreigners tend to get much more excited about it than most Uruguayans, who kindly request that we please be cool.
NOT one convicted witch is known to have returned from the dead, seeking revenge or legal redress. This may be considered further proof of their innocence by those who still care to defend them. Even the most credulous believer in Satan must now doubt that the devil ever met or marked a single soul among the thousands accused of being his human agents in Britain between the 16th and 18th centuries – most of them women, many of them tortured and executed.
IN the inventing room at the Cadbury chocolate factory – the most famous, enormous, marvellous chocolate factory in the whole world – experts in white outfits are working on something new. They are pouring hot liquid chocolate out of silver mixing bowls onto large marble tables, spreading it around with spatulas, and shaping it into solid little bunker-structures with a swirly finish. This, we’re told today, is all part of “Project Smile”. But they cannot tell us any more than that.
VIEWED FROM outer space, the traffic in Edinburgh and Glasgow doesn’t look particularly bad. In 2002, the European Space Agency launched a new satellite – Envisat- to monitor air pollution levels across the planet. Envisat sees the spectral traces of man-made gases, such as nitrogen dioxide (NO2), as they rise in vertical tropospheric columns from power plants, shipping lanes, centres of heavy industry and major urban road networks. Compared to places such as northeast China in those terms, Scottish cities form an almost negligible part of a global picture.