Stephen Phelan

CHILEAN critics went nuts for Alejandro Zambra’s slim debut novel Bonsai in 2006. Barely 30 at the time, Zambra was tagged the voice of the post-Pinochet generation. Born and raised under the dictatorship, his writing seemed fast, loose and joyous in the present age of nominal democracy. But his evident faith in literature was also marked and scarred by doubts and second-guessings.

ELIAS Canetti has been among the dead since 1994. If the underworld is anything like it was envisioned in ancient Greek or Chinese mythology – which Canetti found infinitely more “liberating” than contemporary religion – then it’s easy enough to imagine him standing somewhat apart down there, somewhere between the forgotten multitudes and the abiding titans that he venerated in life: Breughel, Pascal, Stendhal etc.

SELF-CONSCIOUSNESS is commonly declared the enemy of art. The mind catches itself in the lofty act of creation, finds the work-in-progress embarrassing, and complains that it cannot be expected to express itself under this kind of withering scrutiny. David Foster Wallace felt this acutely from an early age, telling a university roommate that he could only write well when he was barely aware of himself and his surroundings: “When I can’t feel my ass in the chair.”

E.L. Doctorow died on July 21, 2015, about a month after Donald J. Trump announced and commenced his run for President of the United States. These events were not related, but they have since become fused in my mind. Doctorow was my favorite living writer, and when Trump began his campaign by riding down the escalator to the gold-plated lobby of his tower, I thought the scene could almost have been composed by that great American mythologist.

PICTURE an iron castle in a ruined garden, where a lonely poet sits in a bare, round room, writing about another lonely poet in a bare, round room, who is writing about another lonely poet … and so on. David Peace draws on this image in Patient X: The Case-Book Of Ryūnosuke Akutagawa, which he calls “a novel of tales” about the eponymous short story writer. Akutagawa was a major figure in the Japanese literature of the early 20th century, whose tormented personal pathology led to his suicide in 1927, at the age of 35.

AFTER the Great East Japan Earthquake and Tsunami of March 11, 2011, I worked with a post-disaster clean-up crew in a largely obliterated fishing port called Onagawa. We mostly shovelled mud and debris, and did myriad odd jobs for newly homeless locals packed into evacuation shelters. Everyone had lost someone, and the more talkative survivors told us brutally upsetting stories of wives drowned in waterfront factories, elderly parents dragged away by the wave, entire families killed in their cars while trying to outrun it.

AMONG the mini-essays, weather diaries and reminiscences that comprise this book, Karl Ove Knausgaard sketches out a few quick self-portraits in prose. Picture him just before dawn, in the kitchen of his plush-rustic home near the Norwegian coast: smoking, drinking coffee, listening to Bach, denim jacket slung over the chair, long hair tousled like an opium fiend’s, looking past his blank screen and into the retreating darkness beyond the

THE 21st annual Moby-Dick Marathon was the first to take place in a blizzard. Somehow, the event had never coincided with a major snowstorm before, despite being held every January in New Bedford – a squall-prone seaport on the Massachusetts coast, where North Atlantic weather systems spin like sawblades against the edge of the United States.

THE story goes that President Abraham Lincoln walked out of the White House in the middle of the night on February 20, 1862. He crossed Washington D.C. to Oak Hill cemetery, went into the crypt of his late son Willie, and sat there alone at his coffin. Willie had died of typhoid fever earlier that day, at the age of 11. His father, somewhat preoccupied through the boy’s short illness with fundraising for the escalating civil war, was now so possessed by grief and guilt that he may even have cradled the corpse.

CONSIDER Gotham City. A fictional, fanciful place, dark and dirty but not without glamour or grandeur, where threat posed by petty criminals and super-villains is forever set against the hope of protection and salvation symbolised by The Batman.